I was trying to think of some type of 'End of 2009 post'. Like a 'year in review', or 'best of'. Then I realized that's it's also the end of the first decade of the Millennium, which according to my rudimentary math skills only comes about every 1000 years. And even if I started eating super healthy and became the most exercise-conscience person on the planet, chances are still 50/50 that I'd make it to 3000!
So it occurred to me to write some type of overview about my last 10 years in regards to my life as an artist, specifically an independent comic book creator....
I had my first published comic book story appear in 1997's HOT MEXICAN LOVE COMICS, and my first self-published work was EL MUERTO, back in 1998. It's really with the publication of my own comic book work that I've experienced some phenomenal times as an artist, which significantly reflects on my life as an individual. Not that everything up to the year 2000 was drab and dreary. But read on and check out what I'm going to share.
By the way, I didn't own a digital camera until 2005, so all the following pics are digital photographs. One day I will have to scan 100s of photographs I took with an actual film camera. But for purposes of this blog post, we're only going to use digital pics, folks!
Looking over my collection of photos, one of the highlights that stands out to me has been getting my self-published comic book, EL MUERTO, turned into a live-action film. I created my own comic book because I wanted to create my own comic book, plain and simple. That I ended up getting the opportunity to have a film based on EL MUERTO, well, that's the type of serendipity you only read about in fairy tales! I won't go into all the details now (as I've written and spoken about it many times before), but here are some wonderful images I'm glad were captured:
We filmed EL MUERTO in Feb of 2005, and at the San Diego Comic Con that summer, we had a panel when we showed the trailer. To be on my own panel at Comic Con showing the trailer to my own movie, after having seen my fair share of preview panels at the Con, was quite extraordinary. Here's me, star Wilmer Valderrama and Joel David Moore (AVATAR) after the panel. I love the smell of papparazi in the afternoon!
Luckily, I was able to attend several of the film festival screenings once the film was finished.
Musician Martin Espino, me and actor Tony Plana at the official premiere for the film at the SAN DIEGO LATINO FILM FESTIVAL:
It gets better though! Me and some lovely film fans at a screening for Cal State Los Angeles:
Signing a badge for an enthusiastic fan at the Oxnard Latino Film Festival:
My brother Albert, his wife Letty, my sister Imelda and me at the American Film Market screening. (I purposely posed us in front of the James Bond movie poster!):
One of the great things about creating your own comics is that you're entering the field populated by so many other people whose work you've read and admired. Here's one of those times. It's me on a panel with cartoonist Jaime Hernandez (LOVE AND ROCKETS). We were sharing a panel along with comic book writers Len Wein (SWAMP THING, THE X-MEN) and Marv Wolfman (TOMB OF DRACULA, TEEN TITANS) at the 2006 Los Angeles Latino Film Festival, "Minorities in film"(I believe that was the name):
Since 1998 I've been asked if I'm one of the Hernandez Brothers. (Jaime and his brother Gilbert created the comic series LOVE AND ROCKETS, and it's among the most critically acclaimed comics ever). After the panel, I asked Jaime to sign a L&R book for me, and he wrote "Just one question: Where's your father from?"!
We had an 'Exclusive Engagement' screening at a Laemmle Theatre in Downtown Los Angeles, and was really happy to see EL MUERTO up on the marquee:
In 2008, my hometown of Whittier, CA held it's first ever Film Festival, and we screened EL MUERTO and were actually fortunate enough to win Best Feature! After the film screening (which ironically was held in a building where I used to work at part-time during high school) we held a Q&A around the corner at GEEKS comic shop:
Musician Martin Espino, me, writer/director Brian Cox and co-producer Susan Rodgers.
Bringing the film to Whittier, where the story from the comic book is actually based in, was a dream come true that I had always hoped to accomplish.
Of course, everything that I've experienced, in regards to art, the film, podcasting, meeting fellow creators, making new fans, has all come from the initial creation of the comic book. Making art has been a part of me forever, and so many of the good things I've experienced in life has come from my artistic impulses.
It's all about creating my own comics, my own characters. Taking an idea from an abstract, to a visual narrative. Self expression. Storytelling first on the page, then, actually, personally, becoming part of a bigger story later!
Sharing my work with others these past 10 years has always been a rewarding experience for me. In a way, that's even more so when it's given away for free. Especially to kids. (Told you I'm a terrible businessman!!)
Creating something that people respond to makes what I do very full-filling, for me. I often talk about creating a signature character, and El Muerto is mine. For the people who count themselves fans of my work and the character, you've granted me a great pleasure, and a great honor.
To my family and friends and fellow artists, I have to offer my sincere thanks and gratitude for the love, support and inspiration. I never tire of doing what I do, creating new artwork, new comics. I only hope that the next 10 years, God willing, bring as many unexpected surprises and memorable experiences as the previous 10. I'll be doing my part to make that true, everyone else please feel free to join along, I'd love to have you.
Hope you all have yourselves a productive, positive 2010.
I wanted to experiment with creating 'blacklight poster' type art (colored with fluorescent colors to be shown under a black light). Marvel in the day produced a bunch of trippy posters in this style, which you can see here.
So I took one of my El Muerto color art files, "bleached" out the color (using Threshold in Phototshop, as I was too lazy to find the original b&w art to scan!), printed it out, then used some Highlighter markers to color the print. Afterwards, I scanned it back in the computer and made a color/brightness adjustment.
Again, this is just a quick experiment, but I really like the idea of exploring with this color palette and producing some original art in this method. Pretty groovy!
Colin Panetta, creator of the comic book DEAD MAN HOLIDAY, asked me awhile back to contribute the back cover to his latest issue, DEAD MAN HOLIDAY -1 (Yep, that's 'minus one').
Colin's book is done in b&w, including his cover. But when he told me that I could create my piece in color, I immediately thought of the basic design. I think the fact that I could show a green, glowing ghost made me choose this scene! I had a great time working on this piece, and was really happy with the way it turned out. What I really liked was after I sent it to Colin, he wrote back and told me he was thinking I was going to do something entirely different. It's always satisfying to produce something that people weren't expecting, as far as my 'style'.
I'm a big fan of Colin's comic. He refers to it as 'haunted science-fiction', and describes work that he does ( as well as everyone from Mike Mignola to Mike Allred) as 'personal genre fiction'. Whatever you want to call it, it's unique work from a totally individual point of view, whether it's a crime story or a ghost story.
Besides being an imaginative storyteller, Colin is a very forward-thinking publisher, always working on getting the word out about his comics. He's participating in the upcoming Indy Comic Book Week, for example, and in fact is tying in the release of his new issue to this event.
Colin has free PDFs of his first two issues at his site, as well as a blog he updates with his latest doings. Take a look at his haunted science-fiction, DEAD MAN HOLIDAY!
Yesterday I started reading some WONDER WART-HOG comics I bought online. Created by Gilbert Shelton (of THE FABULOUS FURRY FREAK BROTHERS fame) back in the early 60s, Wonder Wart-Hog is a pork-flavored parody of Superman. WW is actually from another planet, having been sent to earth by his parents hoping to have their baby survive the destruction of their own planet. Thing is, as soon as the rocket blasted off into space, they realized the danger to their planet was a false alarm! WW crash lands on Earth as is raised by a hillbilly couple....
I had been aware of WW for years, but never actually read one of his comics. These few issues I bought have been enjoyable. While Shelton is one of the kings of underground comics with the FURRY FREAK BROTHERS, the WONDER WART-HOG stories I've read haven't necessarily been of the type of hard-core/adult humor the undergrounds are known for. They're silly, odd-ball spins of satire and superhero parody, with artwork that sometimes looks like a hallucinogenic mix of Sergio Aragones and Robert Crumb.
Nothing 'hardcore' about this page, as long as you don't mind gratuitous violence!
There are just so many comic books out there that I haven't even discovered, and I've been looking for 'new' stuff for the last several years. I have my share of current books I like to read like Brian O'Malley's SCOTT PILGRIM, Adam Warren's EMPOWERED, the latest book by Jason, for example. But I also look forward to reading so many of the books that I missed out on the first time. WONDER WART-HOG is definitely one of those I want to read more of.
Here's the artwork I contributed for GHOSTFACE #3, which is now in print!
This was a fun image to come up with, as I wanted to play with the graphic design elements as much as creating an appealing illustration. I picked a representational scene of the character's origin. The comic has supernatural elements mixed in with good old fashioned gangsterism!
GHOSTFACE is created, written & illustrated by John Narcomey, and published by High Tower Comics. You can order of the new issue, as well as the previous ones, here.
Thanks to John for asking me to contribute. It was real fun moonlighting...!
Saturday was one long day for me, but extremely rewarding!
I had to get up early that morning for my full schedule. My first stop was at the Gardena Holiday Craft Fair. My friend Ted Seko was exhibiting there, and I stopped by to check out the show. I wasn't there to sell anything, but I wanted to see what the show was like. The overwhelming majority of exhibitors there were artists selling their hand-made art objects, such as jewelry and small crafts. Ted and his friend Mark Okoi were the only two I saw that had stuff I would have bought: comics, zines and color prints of monsters!
Ted draws with such a frenzied pitch that my camera can never capture him at ease!
From Gardena, which is in the South Bay area of Los Angeles, I traveled north to Burbank. The Ronald McDonald House children's charity was hosting an event at the Warner Bros Ranch, and one of the activities consisted of a group of artists providing free drawing for kids. I was made aware of this event by Luis Escobar, and artist who works on the SIMPSONS cartoon, and in fact is one of the newest members of the CARTOONISTAS.
Not that I shouldn't have been that surprised to see him, but my good buddy Rafael Navarro also showed up. Rafael's been working in the animation industry for years, and often helps out at these type of events.
It's so interesting that Jim had requests for Michael Jackson, Evel Knievel and a basketball player whose name escapes me. Those just seem like perfect subjects for Jim to draw, and I wish we would have photographed some of these drawings. Me, I had requests for Hello Kitty, dolphins and horses!?!
Of course, I had my fair share of superhero drawings too. Flash, Superman, Batman and Spider-Man were favorites. I also drew a lot of Bugs Bunny, but that's probably because I had a Bugs Bunny book for reference sitting on my table. I guess people saw the book and figured that Bugs would be a good subject. Now I know what to bring next time I do one of these events: my HOWARD THE DUCK comics! Let's see if people fall for that one!
Here's a Spider-Man drawing I did for this gentleman's grandson, Tino:
Readers of this blog will know I'm a big fan of Steve Ditko (Spider-Man co-creator), but man, trying to draw all them spider webs in these quick drawings made me for a second hate the guy!! I even forgot to draw the little black spider on Spidey's chest in that drawing!
The event was scheduled for 3 hours, and I have to say that I never anticipated that I would be drawing pretty much non-stop for the whole time! As soon as I finished one drawing, there would be another person walking up to the table. The tricky thing though is reference material. Some artists had internet access on their phones or other devices, but I had to either go by 'memory' or ask the kid if they had another suggestion. I had to wing such characters as HELLO KITTY and TINKERBELL. For the really small kids, I would suggest maybe a favorite animal, or even easier, a Christmas themed drawing!
Public on the left, artists on the right. There must have been about 20 artists or so, from animation, movies, video game..and comics.
Everyone was happy with their art, which really makes me feel good about doing these types of events. I'm not exactly sure what the criteria was for people to be admitted to this event, but some of the children were under treatments for various medical conditions. Like I said, it always makes me feel good to give someone a drawing, especially when they appreciate it. It's also rewarding to see the parents there with their child as I'm making the drawing.
Having said all that, let me say that another reason I wanted to do this event was to meet the man who organized all the artists for this day, Art Leonardi. Art has done this event in the past, and he's had a life-long career in animation. Probably the thing he's most associated with is the Pink Panther. He was working in the DePatie-Freleng Studio since the day the Pink Panther was created, and has animated and directed several episodes, including creating the opening titles for REVENGE OF THE PINK PANTHER.
Art was extremely grateful for all the artists, and he kept making sure we were taken care of. At one point he even brought a plate of hamburgers and hot dogs up and down the line (I grabbed a hot dog and ate it in between drawings). At the end of the day, as we were all winding down, I asked Art if it would be unprofessional of me to ask him to sign a copy of THE ULTIMATE GUIDE TO THE PINK PANTHER. Well, he not only assured me it wouldn't be unprofessional, but he happily proceeded to flip through the book and tell me which illustrations he had created and gave me some behind-the-scenes stories on his career with the Pink Panther. He obviously had a lot of fond memories on working with the crews on the cartoons.
This is what Art wrote:
That was really cool that he drew the Pink Panther, too! (As if I wasn't hoping for that!) I told him, in reference to his inscription, that this was in reality 'from a great talent'. Regardless, it was really fantastic meeting Art, and working with him and all the other artists on this event. I know we all made a lot of people very happy. And I scored a Pink Panther sketch!
Looks like production art for a new kid's EL MUERTO cartoon, doesn't it?
Well, it's actually a page from the sketchbook of Luis Escobar, a layout/storyboard artist for the SIMPSONS tv series & movie. I actually only recently met Luis, he just became a member of the CARTOONISTAS art group I'm in. In the short time I've known him though, we've hit it off pretty good. Naturally, we've discussed art-related issues, and in fact he was a guest on my podcast JAVILAND, where he brought in a topic and spent the entire show with us as part of our roundtable discussion.
His EL MUERTITO artwork really brought a smile to my face. The look on the one at the bottom, running with all the gusto he can manage, is hilarious. Little Muerto is so earnest! The shimmering quality Luis achieves in the hair and clothes is really effective. I could totally see a vinyl doll based on these designs. Vinyl doll makers....Send me a contract!
Luis maintains a blog where he often posts short comic stories, usually relating to some incident in his life. They're very pleasant-to-read vignettes, crafted in a nice, loose, shorthand style of drawing. They really feel like stories he's jotted down in a journal. Here's one he did in color, mixed with a photo:
Luis on a recent trip to Disneyland with his family.
My sincere thanks to Luis for sending me these sketches.
Black Friday, Cyber Monday.... And December's right around the corner. And that means Christmas and family and friends and even more food. It also means we all have to get ready for the New Year. Resolutions, endings and beginnings, promises, winding down and gearing up.
For some of us, that also means gearing up for our creative endeavors next year. One of them I can share with you is my first comic book of 2010. Still haven't nailed down the exact month, but I'd say look for a release in either February or March. I can tell you right now that it's an anthology featuring 7 stories. One of them will be an auto-bio story called "DOS MIL DIEZ: 2010". ("Dos Mil Diez" is Spanish for Two Thousand Ten...hence the '2010'!). It's not really a sequel, but back in 2000 I published a mini-comic called DOS MIL, which was an earlier autobio. I figured now would be a nice time to check back in with 'me' and see what's gone down over the last 10 years. I don't want to make this strictly a walk down memory lane though, so I hope to be pulling some interesting tricks out of my head for this one!
Here's a detail of the cover, at least the main illustration. More to comic later, of course.
Also coming up in early 2010, I'm contributing a short comic to an anthology of L.A. ghost stories, which I'll definitely share more news on as the time approaches. I also have artwork in two other comic books coming out in the next month or two. One is a pin-up for GHOSTFACE and the other is a full-color back cover piece for DEAD MAN HOLIDAY. It sounds oh-so-gothic of me, the creator of EL MUERTO, to be doing artwork for books called DEAD MAN HOLIDAY and GHOSTFACE, I know!! But what can I say folks, I'm ghosting for other publishers!
There are more comics on my agenda to schedule for next year, as well as several new events to follow up on, plan for, or inquire about. And just so many other things to address as well. The really good thing about scheduling all this stuff is the variety of skills they all involve. Projects like this keep me very stimulated, and pushes me to stay as creative and imaginative as possible in whatever I choose to do.
Photo by Ted Seko, cartoonist, podcaster and critical optimist.
Yesterday I was in the South Bay area of Los Angeles, checking out the mighty coastline. (What is it with me and coastlines lately?). Sometimes I feel overwhelmed by the tides of ideas I have for new characters and comics and other projects I want to tackle. But really, how much time do you have in a week? Some folks would say to just commit to knocking these various projects out. And I suppose that could be done. But a lot of the ideas I have sometimes can't be developed to a solid presentation, at least for me. So these ideas are tossed back in the sea, where maybe they'll wash ashore after being polished by time.
There's one thing I realize about looking over the vast horizon of the Pacific Ocean though. There is so much potential in our lives, and it's amazing to me that it's all in our hands to attempt to achieve. The complete freedom to try is there. As most of us have experienced though, the waters can get really rough at times, fatal actually. But in the end, the ocean, like life, is only being itself. It really means us no harm, not personally. But it sure is offering up a heck of a lot of potential.
Well, since most of us are carving up a turkey tomorrow, I think I should give some thanks. As this is my blog where I write about my artistic endeavors and such, I'd like to give a big 'Muchas Gracias' to the universe of inspiration I grew up with. I was born in the 60s, but really was a consumer of 1970s television, cartoons and comic books. In the 70s, we would have no shortage of reruns on the tube. Lots of shows from the 60s, as well as movies, would be readily available for us. Who says you need 500 channels to catch some good stuff on the telly?
The following images represent only a fraction of the things I wanted to share with you, but no need to fill up the page with hundreds of images and icons of what made my creative mind tingle in my personal Golden Age. Suffice to say that the images I've posted here represent an assortment of comics, cartoons, television shows, movies and other larger-than-life characters that in so many ways left an impression on me to later create my own stories and characters. Instead of showing all the artists, storytellers, etc who made this stuff, I think the eye candy speaks for itself!
There's one particular person I have to thank in regards to all the creative paths I've pursued all these years. My older brother Albert, shown here with me back a couple of years ago:
Albert, in case you hadn't heard me mention this before, was a collector of comic books, and something of an artist himself, back in the early 70s. I guess he came to a point where he wanted to do other things as he became a teenager, so one day when I was about 9 yrs old or so, he gave me his small stack of comic books. These were a goldmine of treasures! Most of the books were from around 1970, when he bought comics for about a year or so. I got the creme of the crop of Marvel books: John Romita SPIDER-MAN (as well as Steve Ditko Spidey reprints in MARVEL TALES), Jack Kirby FANTASTIC FOUR and THOR, Herb Trimpe HULK, Gene Colan DAREDEVIL, IRON MAN & CAPTAIN AMERICA, and on and on. There was even some DC Comics in the mix, BATMAN, SUPERMAN and others. To my young mind, these were just the most amazing thing ever. Larger than life heroes, decked out in colorful costumes, with some of the most imaginative artists creating thrilling pages and pages of action-packed stories.
Albert was also drawing quite a bit back in those days, mainly some stylized cartoon baseball and football players. Funny thing is, I never took to sports at all, but I sure as heck wanted to draw like big brother Al. So the comics and the drawing came from him, which no doubt led to searching out for my own comics, which at that time cost 25 cents a piece. I think the leap from comic books to the Six Million Dollar Man and tons of other shows was a natural progression.
I sometimes wonder what would I have been like if my brother never collected comics himself, or never filled up a sketchbook with his own creations?
I shudder to think I would be writing a sports blog or something else today!!
Thanks Albert...couldn't have done it without you.
And thanks to all them characters and creators who filled my hours with cracking good entertainment!
Sunday came quickly, and that meant it was time for the Portland Comic Book Show (if you just walked in on this blog, this is Part 2 of my wrap-up of my weekend trip to Portland! Part 1 can be found here).
Breakfast consisted of a trip to the infamous, 24 hour VOODOO DOUGHNUTS on SW 3rd Avenue. VOODOO's doughnuts come in all shapes and sizes, from a doughnut encrusted with Captain Crunch cereal to doughnuts shaped like...well, doughnuts for bachelorette parties!! I mean, these folks make all kinds of exotic, erotic and eclectic types!
Me, I finally got the one I flew all the way up to Oregon for:
The bacon maple bar!! Now that's a breakfast power bar I can sink my teeth into...
We soon made our way to the Memorial Coliseum and once we entered the exhibit room and I had a look around the place, I got the sense that this was an old-school comic convention. There were tons of back issue dealers, as well as vendors selling all kinds of comic-related/superhero emblazoned products. Drinking glasses, action figures, vintage toys. Plus I saw numerous publishers and artists selling mini-comics, zines, comic books, graphic novels. No tables for out-of-work actors or retired wrestlers were to be seen. Although I would have been excited if Portland-based wrestling legend "Rowdy" Roddy Piper was signing!
The show was held in the basement of the center, adding to the old-school ambiance. Richard Finn, whose been running the show for 31 years, really kept on top of accommodating his guests. It's always great to have the Guest status and the perks you get with it. Makes you feel that you bring something of value to a convention. And the free box lunch wasn't too bad either!
One thing I was more than happy to do as part of my 'bringing value' to Richard's line-up was to conduct a panel. Jason Martin, my fellow cartoonist and host in Portland, had mentioned to Richard a few months previously that I could do a panel, and so I did. I was actually pleased to see a bigger turnout than I had expected, given the size of the show and subject. "D.I.Y. Comics: The Secrets of Self-Publishing", a presentation I first debuted at GEEKS Comics in my hometown of Whittier, CA, certainly kept the audience's attention. I think my approach, keeping the presentation focused on my real-life experiences, really let's people appreciate what us self-publishing cartoonists have to go through to get our work, and names, out there.
I never sugarcoat the experience of self-publishing. In fact, I find that sharing some of the more difficult times I've been through and then explaining how I worked through them actually benefits the audience in that they see how perseverance pays off. There were some insightful questions asked, and I would try to answer them with an example of something I myself had been through. I've found that over the years I try to keep my anecdotes as 'real world' as possible. Theories and step-by-step plans aren't the only way to connect to an audience, especially if you want to lead by example.
Jason working on a commission for a fan.
I've been neighbors with Jason at a few shows in the years I've known him. We met at San Diego Comic Con back in 04 (I believe). One of the things I've always admired about him was his skills at using the internet for networking and branding himself. He's actually a lot more savvy at that than a majority of my dear friends and fellow cartoonists (sorry folks, you know who you are!). He and I will talk a lot about the industry and how we as DIY creators fit in and how do we get our brand names in front of more people. Shop talk, basically. He and I don't actually have a lot of the same reading tastes, as far as the current stuff on the market, but that doesn't prevent us from yapping away on our topics.
A friend of mine from Portland was exhibiting at this show as well, Kevin Cross!
Kevin is known to one and all as a Rad guy. He's currently getting ready to launch his web comic MONKEY MOD, and a bit of animation to go along with it. Kevin is a freelance illustrator as well as co-host of a popular podcast BIG ILLUSTRATION PARTY TIME. The show, co-hosted by Joshua Kemble, deals with the ins and outs of freelance illustration. PARTY TIME is very informative, and I have to say, it's delivered with a happy dose of good-natured fun.
One of the nice benefits of hosting that panel was that some of the audience members would come by my table afterwards to chat and pick up some of my books. It's always a good thing when you make some new fans wherever you go, and if some of them actually get inspired enough to make their own comics, that's gives me even more satisfaction.
Overall, I had a great time at the show, and really appreciated being invited as a guest. I'd certainly consider coming back next year (and this time I would like to buy some of the cool things I saw the few times I walked around the hall!).
I was really looking forward to Monday, because Jason and I made plans to drive out to the Oregon Coast, about an hour from his home. Turns out to get to the coast, we have to drive through some mountains and forests! The rain started kicking in too, so it made for quite a drive. Well, Jason's used to it, but for me it was funny that I was sightseeing in ever-increasing high winds and rain! Once we got to the Coast, all bets were off!
Haystack Rock in Cannon Beach.
You can see in that photo just how active the weather could get. There was one time we stopped at viewing spot where I opened the door and it flew open. We shut the door and smoothly drove off! Actually though, there was a natural beauty seeing these displays of Mother Nature along this beautiful stretch of coast. Most of the seaside towns were drove through were free of tourists. Many of the shops and restaurants were actually closed, but at the same time there was a nice ambiance about being one of the few vehicles driving through these villages.
There was one place I wanted to make sure we stopped at. My pal Kevin had told me the day before that if we stopped in Rockaway, we could get the best dang crab cakes at the Morning Glory Cafe. Well, we stopped in town and found the restaurant and...boy oh boy! Thank you, Kevin!
These crab cakes, with the sauce they provided, were heavenly and oh-so filling! Man, I'm craving one right now. These things were served hot off the grill and made for a great meal. The gent working the place, (and thank God they were open!!) had a tanned, fishermans face, with a hospitable demeanor. He was actually from Idylwood, CA (down near Palm Springs) and about 6 years ago came to Rockaway, saw the coast, and moved up there. I told him I was thinking of doing the same!
These picturesque little seaside towns, with dense pockets of trees on one side and the rocky coast on the other, make for a very enjoyable ride. Through in some turbulent weather and you get one memorable adventure. Another place we stopped at along our drive was Tillamook, a coastal town famous for it's cheese. The place to visit is the Tillamook Cheese Visitor's Center, a unique experience where you can visit the plant where they make their cheese and diary products. They even have an ice cream shop where you can buy their freshly made products. Which we did!
From the observation window looking down at the cheese processing plant.
Besides buying some ice cream, we also were able to sample the wide variety of cheese produced at the plant. At this point, I don't need a comic book convention to get me up to the Northwest again!
The following morning, Tuesday, we were watching the news and the lead story was the thrashing the coast received from the high winds and rain. A building in one of the towns had it's roof ripped off! Tami, Jason's wife, laughed at the fact that he and I were out there sightseeing, enjoying the drive and eating ice cream! Sometimes, sometimes, you gotta enjoy life even when it's being difficult, ya know?
In the 12 years I've been making comics, I've been to many conventions in lots of cities. All of them have been memorable and enjoyable. But this trip, with the one-day show sandwiched between days of endless exploring and adventure, has to rank as one of the best. Thanks to everyone I met along the way while up North. And thanks to my hosts Tami and Jason Martin. Even their cute little chihuahua, Choco, took a liking to me. Last year Choco was a little leary around me, but this time he would sit aside me and be a chum.
Aaawww... Tami, a great conversationalist, and super nice person!
And a tip of the hat to Mr. Jason Martin, a real stand-up guy, dedicated comic creator, and the best tour guide I could hope for! (Let's do it again, huh??)
We filmed EL MUERTO in Feb of 2005, and at the San Diego Comic Con that summer, we had a panel when we showed the trailer. To be on my own panel at Comic Con showing the trailer to my own movie, after having seen my fair share of preview panels at the Con, was quite extraordinary. Here's me, star Wilmer Valderrama and Joel David Moore (AVATAR) after the panel. I love the smell of papparazi in the afternoon!
Since 1998 I've been asked if I'm one of the Hernandez Brothers. (Jaime and his brother Gilbert created the comic series LOVE AND ROCKETS, and it's among the most critically acclaimed comics ever). After the panel, I asked Jaime to sign a L&R book for me, and he wrote "Just one question: Where's your father from?"!
Musician Martin Espino, me, writer/director Brian Cox and co-producer Susan Rodgers.
It's all about creating my own comics, my own characters. Taking an idea from an abstract, to a visual narrative. Self expression. Storytelling first on the page, then, actually, personally, becoming part of a bigger story later!
