Here's a brand-new comic I've just finished today, on Thanksgiving. A 4 page color comic that's actually a prequel to one of my recent comic books, DEAD DINOSAURIO.
DEAD DINOSAURIO featured the story of a T-Rex that was awakened at the height of the Conquest of Mexico by a young Aztec boy, Eztli. Together they fight back against the Spanish Conquistadores, but ultimately they don't survive. They are however resurrected as Dead Dinosaurio and Eztli, the First Calaca...
Well, I always was keen on showing some adventures of my cobalt-colored tyrannosaurus back in his heyday (some 65 million years ago, give or take an epoch or two!), DAWN OF THE DINOSAURIO does exactly that. I have more tales of Dinosaurio to tell one day, as well as a series of 4 pagers featuring all-new characters and ideas I'd like to produce as well. Four pages are relatively quick to produce, and they work in a printed format as a double-sided color print folded in half... Viola, a 4 page comic!
After my series of a dozen one-page comics (Poster Comics), I've gotten real interested in creating short, tightly compressed stories. For now, I'd like to move onto these 4 Pagers, which will allow me to continue to explore a new batch of characters, and be able to do so in color.
By the way, the Poster Comics are collected in a printed comic book called COMICS!, and are also available to read online here. DEAD DINOSAURIO is now out of print, but it's available in my trade-paperback collection, THE LOS COMEX CODEX.
For now, please enjoy this first comic, the inaugural Los Comex 4 PAGER!
Thursday, November 28, 2013
Friday, November 22, 2013
My cover and foreword for LATINOS AND NARRATIVE MEDIA
There's a new book on Latinos in media featuring cover artwork by me. I've also written the foreword to the book.
LATINOS AND NARRATIVE MEDIA is edited by Frederick Luis Aldama, an Art & Humanitites Distinguished Professor of English and founder & Director of LASER/Latino & Latin American Space for Enrichment Research at Ohio State University. Aldama has written over a dozen books, often dealing with Latino culture and identity as viewed through media and the arts.
In addition to being asked to write the foreword, Professor Aldama also informed me that I was in fact the subject of one of the chapters in the book! Written by David William Foster, the piece is entitled "Latino Comics: Javier Hernandez's El Muerto as an Allegory for Chicano Identity".
The book is an examination of the influence of Latino culture and creators on a wide spectrum of the popular arts, including film, animation, video games, tattoo art and comics. To be the topic of one of the essays took a minute or so to wrap my head around. When I originally set out to create El Muerto, my goal was to selfishly create a character that I wanted to see in print. Something that would let me express myself through the medium of comics, mixing up a wide variety of influences that inspire me. That people would find things in it that perhaps I wasn't consciously trying to address is flattering, but also speaks to the way creative people spin their stories. Whatever media we're working in, our inner lives and experiences can't help but flavor the final product.
The cover of the book uses artwork from the cover of one of my comics, MANGA MUERTO Vol 1. I submitted several images to the publisher, and in the end they used the one they liked best. Looking at the final cover, designed by Will Speed, I think they made a great choice. This book is a scholarly treatise, so my personal guess is that the comic art on the cover perhaps might give the book an appeal to a wider audience. Again, I don't know if that's the case. But having my artwork printed on the cover of a hardback book, one dealing with a subject I'm very invested in, is a great honor.
If anyone is interested in purchasing the book, you can do so direct from the publisher, Palgrave Macmillan. I have a 20% off coupon I can send you if you email me at misterjav@gmail.com. The book retails for $95 but you can get it for $76.00. I'm assuming this book (at least the hardcover version) is priced for the academic field (colleges and libraries), which explains the price. I'll be sure to write a post if a paperback edition is released.
By the way, Aldama wrote a book specifically covering Latino comics a few years ago. Titled "YOUR BRAIN ON LATINO COMICS", it features 21 interviews with writers and artists, one of which features me.
In addition to being asked to write the foreword, Professor Aldama also informed me that I was in fact the subject of one of the chapters in the book! Written by David William Foster, the piece is entitled "Latino Comics: Javier Hernandez's El Muerto as an Allegory for Chicano Identity".
The book is an examination of the influence of Latino culture and creators on a wide spectrum of the popular arts, including film, animation, video games, tattoo art and comics. To be the topic of one of the essays took a minute or so to wrap my head around. When I originally set out to create El Muerto, my goal was to selfishly create a character that I wanted to see in print. Something that would let me express myself through the medium of comics, mixing up a wide variety of influences that inspire me. That people would find things in it that perhaps I wasn't consciously trying to address is flattering, but also speaks to the way creative people spin their stories. Whatever media we're working in, our inner lives and experiences can't help but flavor the final product.
The cover of the book uses artwork from the cover of one of my comics, MANGA MUERTO Vol 1. I submitted several images to the publisher, and in the end they used the one they liked best. Looking at the final cover, designed by Will Speed, I think they made a great choice. This book is a scholarly treatise, so my personal guess is that the comic art on the cover perhaps might give the book an appeal to a wider audience. Again, I don't know if that's the case. But having my artwork printed on the cover of a hardback book, one dealing with a subject I'm very invested in, is a great honor.
If anyone is interested in purchasing the book, you can do so direct from the publisher, Palgrave Macmillan. I have a 20% off coupon I can send you if you email me at misterjav@gmail.com. The book retails for $95 but you can get it for $76.00. I'm assuming this book (at least the hardcover version) is priced for the academic field (colleges and libraries), which explains the price. I'll be sure to write a post if a paperback edition is released.
By the way, Aldama wrote a book specifically covering Latino comics a few years ago. Titled "YOUR BRAIN ON LATINO COMICS", it features 21 interviews with writers and artists, one of which features me.
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